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BBC Radio 2 200 kHz/1500 metres long wave 88.1 VHF Jack Jackson 1000-1100 30/08/76 https://pixeldra.in/u/NWaov6rC

Morge, Is er hier iemand die dit voor mij kan opnemen van de podcast? http://www.bbc.co.uk/programmes/b04f7xn6 Vincent

http://www.mediafire.com/file/7pptc2pgaz3s5e3/Radio+4++15.12.2001++DJ+Culture.mp3

Book Of The Week: . Jack Davenport reads from Matthew Collin's account of life at B92, an independent Belgrade radio station which waged a 10-year campaign for freedom under Slobodan Milosevic's regime. http://www.mediafire.com/file/zxdl6uai18ux4ki/This+Is+Serbia+Calling.mp3 (Dank aan 'jepatrick"")

"...But Still They Come' explores the enormous impact and influence of Jeff Wayne's Musical Version of The War of The World's, telling the story of the recording of the original album, the various incarnations produced in the 35 years since its release and the 2012 version, re-recorded for a new generation. This programme explains how and why Jeff Wayne began working on a concept album based on H.G. Wells' science fiction masterpiece and the years of hard work it took to realise his vision. In the summer of 1978, the UK album charts were dominated by Disco and Punk, with the Saturday Night Fever soundtrack firmly entrenched at number one. It was an audacious…

For more than four decades, David Bowie has entranced his followers. As he releases his first new material in ten years, Samira Ahmed looks at his particular appeal for British Asian women. Across the generations, they have been inspired by the skinny South Londoner who challenged gender barriers and who played with alien identity and other worldliness. Beneath the make up and exotic costumes, he was also the intelligent, politely spoken suburban young man who you could potentially introduce to your mother. As Samira explores Bowie's impact on British Asian teenagers, she talks to Shami Chakrabarti, the Director of 'Liberty', about Bowie's changing identitie…

BBC_Radio4-20120517-1130-1200-PetePaphides-Follow-UpAlbums-Dexy'sMidnightRunners-Don'tStandMeDown BBC_Radio4-20120524-1130-1200-PetePaphides-Follow-UpAlbums-FleetwoodMac-Tusk BBC_Radio4-20120531-1130-1200-PetePaphides-Follow-UpAlbums-Suede-DogManStar All 3 files

In spring 1974, alongside the established kiddie-pop of Mud, Slade and the Wombles, a new act sidled onto Top Of The Pops who generated more playground chatter the following morning than any of the above. Brothers Ron and Russell Mael had formed Sparks three years earlier, but their breakthrough came with the hit song 'This Town Ain't Big Enough For Both Of Us' - three minutes of staccato glam-pop that was over almost as soon as it began, with near-indecipherable lyrics and gunshot sound effects throughout. Even more intriguing than the song was the brothers' appearance - corkscrew-haired Russell bouncing around the stage singing falsetto, while Ron stood virtually…

Hunter Davies talks to James Naughtie and readers about his biography of The Beatles, first published in 1968. Recorded at the Cavern, Liverpool. In 1966-68 Hunter Davies spent eighteen months with the Beatles at the peak of their powers. As their only ever authorised biographer he had unparalleled access - not just to John, Paul, George and Ringo but to their friends, family and colleagues. He hung out in Abbey Road studios whilst they recorded Sgt Pepper's Lonely Hearts Club Band. At the end of sessions the Beatles happily let him pick up scraps of paper with half written lyrics on them, before the cleaners could tidy up. In the early 1980s he realised they were …

Music critic Pete Paphides tells the story behind three 'follow-up' albums - from Dexys Midnight Runners, Fleetwood Mac and Suede - with tales of musical pressure, creative differences, personal politics and mixed results. BBC-R4-20120517-1130-1200-PetePaphides-Follow-UpAlbums-Dexy'sMidnightRunners-Don'tStandMeDown BBC-R4-20120524-1130-1200-PetePaphides-Follow-UpAlbums-FleetwoodMac-Tusk BBC-R4-20120531-1130-1200-PetePaphides-Follow-UpAlbums-Suede-DogManStar How many bands have found themselves with a massive and often unexpected hit album, only to struggle with the creation of their next opus? Sometimes the follow-up exceeds the first album, but often …

Tony Parsons, Miranda Sawyer and La Roux's Elly Jackson discuss David Bowie's music and influence, in the light of his new album The Next Day. As the Victoria and Albert Museum prepares for a major David Bowie retrospective exhibition, John visits the Museum's store-rooms to see sketches, costumes and instruments, drawn from Bowie's personal archive. John's guides are designer Jonathan Barnbrook, who is involved in the exhibition and the new album artwork, and curators Victoria Broackes and Geoffrey Marsh. John also draws on his own archive of interviews with David Bowie, including a recording from 2002 where Bowie discusses his influences, the experience of…

Part 1 - 10-07-2006 Humphrey Lyttelton reveals the fascinating story of how, as US forces joined the fight against Hitler in 1943, a network of broadcasting stations was established to provide Americans with the kind of programmes they were used to hearing back home. With contributions from author Patrick Morley, memories from British fans of the network and rare recordings of the American Forces wartime broadcasts. Part 2 - 17-07-2006 Humphrey Lyttelton reveals the fascinating story of how, as US forces joined the fight against Hitler in 1943, a network of broadcasting stations was established to provide Americans with the kind of programmes they were …

Danny Robins explores the little known story of Johnny Cash the prison reformer. Cash's classic albums recorded at Folsom Prison and San Quentin are well known but few are aware that these were just two of many prison concerts he played over decades. Robins discovers how the singer became a passionate prison reformer who donated his own money to the cause, took a prisoner into his home and met Richard Nixon to force the issue. Away from the spotlight of Folsom and San Quentin, Robins uncovers two neglected prison concerts. In Arkansas, he discovers a forgotten concert from one of the worst prisons in America at the time, Cummins Penitentiary. We go inside …

Thursday 22 November 2007 11:30-12:00 (Radio 4 FM) Marc Riley traces the career of Kraftwerk, whose 1970s electronic music owed more to the experimental German classical compositions of Karlheinz Stockhausen than to any pop tradition. They were part of a new generation of young West Germans, living in the shadow of the Cold War, who identified with the need to recapture a German cultural identity distinct from that of Britain and America. BBC-R4-20071122-1130-1200-Kraftwerk-WeAreTheRobots

BBC Radio 4 'Last Word' programme Talk about Ronan O'Rahilly with Matthew Bannister and Ray Clark 01/05/20 https://pixeldrain.com/u/964u5uFa

Most current pop music is created not with live instruments, but from pre-formed, off the shelf chunks of music known as loops. Musician Matthew Herbert explores the art of the loop and the million-dollar industry that has grown up around it, and asks whether it is setting music makers free from the constraints of traditional instruments or killing creativity. Loops are pre-recorded performances, typically of a solo instrument, and typically 1 or 2 bars long. Looping isn't new - it started soon after the advent of tape recorders. But recent advances in computer technology and software mean that effects which once needed a full-scale studio costing thousands of poun…

http://www.bbc.co.uk/programmes/b05xxh6x/episodes/guide Does anyone have these five episodes for me?

God, Pirates and Ovaltineys Duration: 1 hour First broadcast: Saturday 05 January 2008 http://www.mijnbestand.nl/Bestand-E7PUDKENG3LV.mp3 God, Pirates and Ovaltineys: Sean Street investigates the history of the cultural battle between the BBC and commercial radio, which goes back to the 1920s.

http://www.mijnbestand.nl/Bestand-TQYIPFHN7ZIJ.mp3 The Eccentric Entrepreneur Duration: 58 minutes First broadcast: Saturday 30 August 2014 "Radio Normandy Calling!" The Belles of Normandy sing the station ident; Roy Plomley (of Desert Island Discs fame) introduces the artistes from the Bradford Alhambra, and another melody-packed hour - sponsored by a patent medicine - begins on the commercial radio station that, back in the 1930s, was often more popular than the majestic BBC. The man behind it all was called, improbably, Captain Leonard Plugge. And in this programme, Dominic Sandbrook tells the story of this clever, enterprising and subversive m…

Les Woodland tells the story of Captain Plugge, founder of Radio Normandie, the first station to take on the BBC. http://www56.zippyshare.com/v/12502882/file.html

De BBC is per 1 april gestopt met aparte programma's op de lange golf en de middengolf. De programma's op LW en MW zijn nu gelijk aan die op de FM, DAB en andere zenders. De speciale programma's zijn verhuisd naar o.a. BBC Radio 4 Extra en BBC Radio 5 Sports Extra. De middengolfzenders van BBC Radio 4 zullen op 15 april 2024 worden uitgezet. (zie verderop) Voor het uitzetten van de lange golfzenders op 198 kHz (Droitwich, Westerglen en Burghead) is nog geen definitieve datum gegeven. Maar velen verwachten 30 juni 2025. De lange golf zenders worden in de UK ook gebruikt voor elektriciteitsmeters. Die zouden in maart allemaal vervangen moeten zijn door ni…

19810708 Wed (morning) BBC Radio 4- Woman's Hour; A Visit To Sealand http://www13.zippyshare.com/v/JBxv8mlG/file.html

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Sex Pistols bassist Glen Matlock tells the story of punk rock, with music from the MC5, the Faces, the Ramones, Buzzcocks, the Clash, the Damned, and the Sex Pistols. BBC-R6-20130829-0400-0500-AnarchyInTheUK BBC-R6-20130830-0400-0500-AnarchyInTheUK